The Wrest of the Worthwhile: Unselected, Uncollected and New Poems, 1983-2023 - by John Burroughs (CC#123)

The Wrest of the Worthwhile: Unselected, Uncollected and New Poems, 1983-2023 by U.S. National Beat Poet Laureate John Burroughs is a poetry book 40 years in the making.

Over 340 pages! Hundreds of poems, early and new, that did not appear in Rattle and Numb. Perfect paperback, 5.5" x 8.5". ISBN: 979-8-88596-991-8. Released by Far Queue Press (an imprint of Crisis Chronicles) on 6 April 2023 at the Cuyahoga County Public Library's Self-Publishing Roundtable.

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In the U.S. $20.00 USD International $25.00 USD

Available for $25 (includes postage) from Crisis Chronicles Press,  535 Parkside Boulevard, Cleveland, Ohio 44143. Venmo: @jesuscrisis. CashApp: $crisischronicles. Or meet John and pick it up at one of these upcoming events.

The Wrest of the Worthwhile is comprised of three sections:

Forth
The entirety of his two quickly-sold-out limited edition 2022 chapbooks, You Can't Trust It to Remain (originally published by Between Shadows Press) and Dogging Catastrophe (The Grind Stone), as well as revised/completed versions of the rest of his July 2022 poems from the Tupelo Press 30/30 project.

Back
Previously unselected poems from many of his earlier chapbooks (everything not already included in the 2019 volume Rattle and Numb: Selected and New Poems, 1992-2019, from Venetian Spider Press). Said chapbooks include Bloggerel (2008, Crisis Chronicles), 6/9: Improvisations in Dependence (2009, Crisis Chronicles), Electric Company (2011, Writing Knights, expanded in 2016), Water Works (2012, recycled karma press), The Eater of the Absurd (2012, NightBallet), Barry Merry Baloney (2012, Spare Change Press), Oct Tongue -1 (2014, Crisis Chronicles), Beat Attitude (2015, NightBallet), and Loss and Foundering (2018, NightBallet).

Back and Forth
Never-before seen new poems and forty years worth of uncollected poems from various online and print journals going all the way back to his 1983 high school litmag and up through March 2023.

Cover art: Animal Locomotion, plate 332, by Eadweard Muybridge [1887] (Courtesy National Gallery of Art, Washington).

John Burroughs of Cleveland is the U.S. National Beat Poet Laureate for 2022-2023. A widely touring writer and performer, Burroughs previously served for two years as Ohio's Beat Poet Laureate. His previous books include Rattle & Numb: Selected & New Poems, 1992-2019 [2019, Venetian Spider Press] and The Eater of the Absurd [2012, NightBallet Press]. Since 2008, Burroughs has served as the founding editor and publisher for Crisis Chronicles Press.

Important Announcement from Crisis Chronicles Press

Crisis Chronicles Press has made the difficult decision to cease considering new manuscripts and publishing new titles through at least 2024. Please forgive us for failing to make the time to respond to any unsolicited queries or submissions during this time, no matter how much we love your work.

 

As Crisis Chronicles' founding editor and publisher, I have been fortunate to work with excellent poets from around the world for the past fifteen and a half years. I plan to keep most of our in-print titles available indefinitely and to continue getting them into the hands of new readers. But now that I am mostly caught up with my publishing commitments, I want and need to redirect much of my energies and focus away from publishing to other priorities.

 

I say "mostly" because there are still two authors I revere for whom I promised years ago to publish collections, though I have so far been unable to obtain all of the desired poems for these projects. I hope to fulfill these promises if and when I can. Also, I would like to eventually publish a volume two of Cheap and Easy Magazine and a volume three of Oct Tongue. But neither of those is likely to happen in 2024.

 

Please accept my deepest gratitude for your all interest and support over the years. 

 

Peace, love and poetry,

John B. Burroughs
9 November 2023

 

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Contact me at jc@crisischronicles.com for discounts on bulk orders.

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Fragile - by Brandon Johnson (CC#124)

Crisis Chronicles Press is happy to announce the publication of Fragile, the debut collection of poetry by Ohio's own Brandon Johnson.

 

"Brandon Johnson’s poems explore emotional and physical pain—and the beauty that can be found in the midst of such pain. From bone fractures to dura mater, from grief and loneliness to love and dreams, Johnson reminds readers that hope is always within reach. Held together through clips of time, these poems move us forward and backward and forward again toward healing, toward light."
—Nicole Robinson, author of Without a Field Guide

 

Fragile is a 74-page, 5.5" x 8.5", perfect bound paperback with cover art by the author.  Shipping on 25 September 2023. ISBN 979-8-88596-997-0. Available for $10 from Crisis Chronicles Press, 535 Parkside Boulevard, Cleveland, Ohio 44143 USA. 

 

You may also order via Venmo (@jesuscrisis) or CashApp ($crisischronicles). Please add three dollars for shipping.

Brandon was born in 1995 in Cleveland, Ohio. At the age of two, he was adopted by the amazing Johnson family. He has always been fascinated by the fantastical world of comic books and mythology. Growing up, he often felt alone even though he was always around a caregiver or an adult. Through reading comics and other works of fiction, he was able to escape the confines of his physical body and let his imagination liberate his soul. He had a hard time accepting his disability and his physical appearance, leading to depression and self-isolation. Over the years, through writing and the creative arts, Brandon has learned to embrace his oddities. His poem "My Soul" has been featured in the Wick Poetry Center at Kent State University's Traveling Stanzas.

Pocatello Wildflower - by John Dorsey (CC#122)

Crisis Chronicles Press is thrilled to announce the publication of our second title of the year, Pocatello Wildflower by John Dorsey. Pocatello Wildflower is a monumental sequence of around 350 original poems created by Dorsey through a process of erasure using selected works by undersung Idaho poets as source material. 

 

Pocatello Wildflower is c. 380 pages, 4.25" x 7", perfect bound paperback with cover art by Elena Samarsky.  Shipping on 14 February 2023. ISBN 979-8-88596-992-5. Available for $15 from Crisis Chronicles Press, 535 Parkside Boulevard, Cleveland, Ohio 44143 USA.

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In the U.S. $15.00 USD International $22.00 USD

 

John Dorsey lived for several years in Toledo, Ohio. He is the author of numerous collections of poetry, including Teaching the Dead to Sing: The Outlaw's Prayer (Rose of Sharon Press, 2006), Sodomy is a City in New Jersey (American Mettle Books, 2010), Tombstone Factory, (Epic Rites Press, 2013), Appalachian Frankenstein (GTK Press, 2015) Being the Fire (Tangerine Press, 2016), Shoot the Messenger (Red Flag Poetry, 2017), Your Daughter's Country (Blue Horse Press, 2019), Which Way to the River: Selected Poems 2016-2020 (OAC Books, 2020), Afterlife Karaoke (Crisis Chronicles Press, 2021) and Sundown at the Redneck Carnival (Spartan Press, 2022). His work has been nominated for the Pushcart Prize, Best of the Net, and the Stanley Hanks Memorial Poetry Prize. He was the winner of the 2019 Terri Award given out at the Poetry Rendezvous. You may reach him at archerevans@yahoo.com.

I Have a Poem About That - by Christine Howey (CC#121)

We at Crisis Chronicles Press are ecstatic to announce the publication of our first title of 2023, I Have a Poem About That by the amazing Christine Howey. It's always a joy and privilege to work with her.

I Have a Poem About That is 36 pp, 6 x 9", perfect bound, with cover art by Jessie Herzfeld. ISBN 979-8-88596-993-2. Available for $10 from Crisis Chronicles Press, 535 Parkside Boulevard, Cleveland, Ohio 44143 USA.

Christine Howey’s newest book, I Have a Poem About That, contains what is undoubtedly some of her best work. As you read these poems, you are introduced to Howey’s unique takes on such diverse topics as jazz, gender, Viet Nam, the questioning of authority, and the afterlife. In the poem “My Words Are Too Big Today,” she reveals The sun is hanging in the / threadbare blue sky like a broken button. In “When We Die We Become Birds,” she considers Just as God’s gift to us, before death, / is the vodka martini, his postmortem gift / is to turn us into birds. While some of the pieces quietly reflect and fondly reminisce, most of them grab you by the shirt collar and jerk you close enough to feel the spit.
    —Dianne Borsenik, author of Raga for What Comes Next, publisher at NightBallet Press

This volume features 23 poems, including "When We Die We Become Birds," "My Skiff," "Camus at Camp," "A Meeting of Suburban Deer," "Eternity on Elm Street," "Inside Out," "Invert at the Gem Saloon, Deadwood, South Dakota, 1876," "My Name Is John Doe," "Mount Everest," "Paul Desmond's Slot Machine," "Ten Ill-Conceived Kitchen Gadgets," "Maybe I Should Have Told Different Lies," "After I'm Gone," "Blueberries, Summer, 1944," "The Last One," "The Road Oft Taken," "Sign of the Cross," "A Bubble-Off Romance," "The Birds and the Bees," "The History of Television," "The Universal Usage Guide," "An Ode to Richard Howie," and "My Words Are Too Big Today."

 

Christine Howey is a performance poet and former executive director of Literary Cleveland. Her one-person play of poetry about her transgender journey, Exact Change, premiered at Cleveland Public Theatre and was selected by the New York International Fringe Festival. A film version of the play was an official selection of the Chagrin Documentary Film Festival. 

Christine has also been an award-winning theater critic in Cleveland for 25 years, currently with Cleveland Scene. She was named Transgender Leader of the Year in Northeast Ohio and received the Torch Award from the Human Rights Campaign for leadership on transgender issues. 

Kan Zaman - by Judith Mansour (CC#120)

Crisis Chronicles Press is thrilled to announce the publication of Kan Zaman, a stirring memoir in poetry and prose by Judith Mansour. Mansour, a native of Youngstown, Ohio, walks the minefield of grief and nostalgia in her first full-length collection. Soot-covered porches from the once-booming steel industry of the Mahoning Valley are the backdrop for visceral, playful and devastating memories.

The title, Kan Zaman, is Arabic for "a long time ago" — often used to mean once upon a time or way back when. Apropos for this collection born of losing people Mansour loved and who shaped who she is.

Kan Zaman is 66 pp, 5.5" x 8.5", perfect bound, with color and b/w photos. Cover painting by Joe Geha. Design by Tim Lachina. ISBN: 979-8-88596-994-9. Available for $15 beginning 5 November 2022 from our friends at Mac's Backs Books on Coventry in Cleveland Heights or directly from Crisis Chronicles Press, 535 Parkside Boulevard, Cleveland, Ohio 44143 USA.

Read Charlotte Morgan's interview with Judith Mansour about Kan Zaman at FreshWater Cleveland.

Meet the author at our book release event on November 5th 2022, 6:30 pm, at Beaumont School in Cleveland Heights.

"Judith Mansour’s Kan Zaman is an irresistible evocation of the Lebanese household she grew up in. This magical book is both a love poem to her family and an invitation for all of us to revisit our childhood, that paradise to which we can only return through memory. Mansour’s writing, by turns both sensual and hauntingly lyrical, is as welcoming as a warm kitchen on a winter night."

—George Bilgere

"True to her title, Mansour evokes the very aromas and tastes of the past, the losses and the joys of how things once were. Beautifully blending poetry and prose, she portrays the struggles inherent in family and culture."

—Joe Geha, author of Kitchen Arabic

Maple Leaf Zen - by John Dorsey (CC#119)

Crisis Chronicles Press is thrilled to announce the publication of our sixth title of the year, Maple Leaf Zen by John Dorsey, on 3 October 2022. Maple Leaf Zen is a brilliant sequence of 124 original poems created by Dorsey through a process of erasure using selected works of the late New Orleans poet Everette Maddox as his source material.

Maple Leaf Zen is c. 140 pages, 6"x6", available in perfect bound paperback as well as a special limited edition (only 10 copies!) signed & numbered case bound hardcover. Cover image courtesy of @MapleLeafNOLA on Instagram.

The paperback (979-8-88596-996-3) is available for $12 from Crisis Chronicles Press, 535 Parkside Boulevard, Cleveland, Ohio 44143 USA. 

Paperback: US or Elsewhere?

In the U.S. $12.00 USD International $17.00 USD

The special limited edition signed & numbered case bound hardcover (979-8-88596-995-6) is available for $40 directly from John Dorsey. Email him at archerevens@yahoo.com to get yours while supplies last.

Meet the author:

10/3/2022 at Truman State University, Kirksville, MO

10/8/2022 at Uncloistered Poetry Live - October, Toledo, OH

10/9/2022 at Mac's Backs-Books On Coventry, Cleveland Heights, OH

John Dorsey lived for several years in Toledo, Ohio. He is the author of several collections of poetry, including Teaching the Dead to Sing: The Outlaw's Prayer (Rose of Sharon Press, 2006), Sodomy is a City in New Jersey (American Mettle Books, 2010), Tombstone Factory, (Epic Rites Press, 2013), Appalachian Frankenstein (GTK Press, 2015), Being the Fire (Tangerine Press, 2016), Shoot the Messenger (Red Flag Poetry, 2017), Your Daughter's Country (Blue Horse Press, 2019), Which Way to the River: Selected Poems 2016-2020 (OAC Books, 2020), Afterlife Karaoke (Crisis Chronicles Press, 2021) and Sundown at the Redneck Carnival, (Spartan Press, 2022). His work has been nominated for the Pushcart Prize, Best of the Net, and the Stanley Hanks Memorial Poetry Prize. He was the winner of the 2019 Terri Award given out at the Poetry Rendezvous. He may be reached at archerevans@yahoo.com. 

[Photo of John Dorsey by Jeremy Proehl.]

Ouroboros: Memoir of a Dreamwalker - by Chansonette Buck (CC#118)

Crisis Chronicles Press is thrilled to announce the publication of our fifth title of the year, Ouroboros by Chansonette Buck (with striking visual art by Jillian Mardin), on April 22nd 2022. Our release date also happens to be the author's birthday!

Ouroboros is c. 130 pages, perfect bound paperback, 11" x 8.5". Cover art also by Jillian Mardin. Available for $20 from Crisis Chronicles Press, 535 Parkside Boulevard, Cleveland, Ohio 44143 USA. 

ISBN: 978-1-64092-950-0. First edition, 125 copies.

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In the US $20.00 USD Elsewhere $30.00 USD

Praise for Ouroboros:

Chansonette Buck's Ouroboros: Memoir of a Dreamwalker takes us on a rich journey through the alchemy of dreams. Buck’s dreams are the kind we wish we remembered—full of significance, of meanings, of important messages. Dreams that reveal the deeper truths and greater understandings. Dreams that nourish our souls.

This is a journey of transfiguration—a word that came to me before I saw it in the book. Transfiguration: changing the forms of difficulty, challenge, and darkness into beauty, illumination, wholeness. Into nourishment for our souls. Like holding a kaleidoscope up to the light, and seeing the patterns form and reform, each more lovely than the last.

Buck is our guide, our priestess, our teacher of transfiguration—holding the lamp to illuminate our way. Singing us through her dreams into our own healing.

 

—Ariana Newcomer, Author; Sound Healer; Spiritual Mentor

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In her newest collection of prose works, Ouroboros, author Chansonette Buck chronicles her life’s journey over a dreamscape that defies expectation and interpretation. What at first seem promising destinations end up as obstruction; while impassible crevices and peaks become pathways to forgiveness and grace, as a movable cast of characters provide aid, conflict and insight to our beleaguered walker. The opening section plays like an overture before descending this landscape into deep trauma, and also, ultimately back into the dreamscape of healing and recovery. Once on this path, the reader will find themselves unable to “leave the trail” until they have gone exactly where Ms. Buck wants them to go…into discovery, the divine, and rebirth. 

 

—Paul Corman-Roberts, author Bone Moon Palace (Nomadic Press, 2021) 

 

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When I first met Chansonette Buck, she was a student of painting at the Museum School in Boston. She doesn’t use paints anymore, but draws the most exquisite word pictures, evocative of far more than could be represented in two dimensions. The partnership here with Jillian Mardin is brilliant, because these visual cues help one take the inner journey I think the poet intended.

There are very few writers whose work I find so rich. I can only read them in small doses. This book is one of those. The words, and word-pictures, have to be savored. As a person who works with both words and pictures, I found Ouroboros: Memoir of a Dreamwalker to be a rare treat. 

 

—Martha Cotton, FinallyFilms.net

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Chansonette Buck’s Ouroboros: Memoir of a Dreamwalker depicts multiple dreamscapes through which, in poetic language, she shares her psychological journey. Her luminous descriptions (enhanced with gorgeous collages by Jillian Mardin) take readers on a multi-dimensional voyage of obstacles, shadows, and dangerous precipices, but affirms the wisdom of elders, animals, and priestesses. Although the profound losses of fathers and lovers punctuate the book, she returns always to intentional survival and healing. With Whitmanesque exuberance immersed in female magical powers, she bears witness to loving affiliation with everything from people to galactic beings to nematodes. The many portals—windows, doors, cave entries—enable access to deep interiorities: watery domains and tunnels in caves. Those, in turn, allow access between minds, epistemologies, species, even planets. Spheres and consciousnesses interpenetrate. A beautiful book in every way, Ouroboros is a testament to our vulnerabilities, our interconnectedness, and our ever-shifting possibilities of renewal. 

 

—Hertha D. Sweet Wong, Professor of English and Associate Dean of Arts and Humanities at University of California, Berkeley

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Chansonette Buck shares her dream world in Ouroboros: Memoir of a Dreamwalker, an expansive landscape that blends the natural world, both familiar and ordinary, with a fantastic territory of the imagination. All told with vivid and descriptive detail. She faces challenges, danger, and her own fear. Animal and human companions inhabit imaginary worlds, ancient and futuristic, realistic and visionary, threatening and comforting. Surely, Chansonette has a method for remembering her dreams. The “dreamwalker” of the title indicates these intense dreams are with her in her waking life, both a link to and a dialogue with her interior self. We all have similar episodic dreams, but this long literary stream of remembered dreams creates a personal world that treads somewhere between everyday reality and the nighttime recesses of the psyche. The writing is richly illustrated with collage images by Jillian Mardin, which reflect this magical adventure of both individual struggle and personal power. 

 

—Harvey Smith, Historian; President, National New Deal Preservation Association; Author, Berkeley and the New Deal

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Reading Chansonette Buck’s latest offering, Ouroboros: Memoir of a Dreamwalker (with Jillian Mardin’s multidimensional artwork accompanying) enabled me to enter a dreamscape occupied by myriad characters, archetypes, shapes, textures, layers, and meanings: light, dark, and in-between. The Carl Jung quote sets the tone from the start, inviting and warning the reader to advance with caution: this will be a journey of initiation and initiates.

It took me many months to travel through this book as part of the unfoldment of circumstances in my life at the time that involved deep incubation, excavation, birth, death, and rebirth many times over. Sometimes it provided a parallel narrative. At other times, it was analogous to entering another world that allowed me to open another way to see.

Always it speaks to defeat, loss, despair, acceptance, redemption, wisdom, and the will to create, and to be.

Such messages are rife throughout, with sentences standing on their own as ends in themselves, or as worlds to get lost in. Senses go on alert as danger makes itself known and must be faced. And yet, despite the danger (or because of it), one travels with kindred spirits all the way as we traverse the dreamtime landscape, pausing to drink in the images. Always we are held and guided, and although we must also collapse, mourn, and endure, it is clear we are always moving towards becoming, letting go, and becoming again. Letting go into life, letting go into death. Light and dark, and the cycles ever-continuing.

Thank you, beloved Chansonette, for sharing yourself so generously with us all. Your work is so necessary. 

 

—Fatima Bacot, Author; Trainer; Personal Development Mentor; Speaker

 

 

Chansonette Buck holds the PhD in English from UC Berkeley. She earned an BFA in Painting from Massachusetts College of Art in Boston, where she won both of two juried prizes for her works on paper at a New England Regional show. Winner of the first Judith Stronach Prize in Poetry at Berkeley and a two-time Pushcart nominee, Dr. Buck has authored four chapbooks of poetry as well as a memoir of her time growing up “on the road” with “the great minds of [that] generation” as stepchild of Black Mountain School poet Edward Dorn. She is an ordained minister and certified spiritual healer and is adept in many energy healing modalities. As Principal Prose Wrangler in her consultancy Appaloosa WordCraft, she helps public policy think tanks and nonfiction authors with research, writing, and editing. A California Bay Area expat, she now lives in Southern Oregon’s magnificent Rogue Valley with her family. This is her first full-length collection. Another will be following from Hand to Mouth Press soon.