Friday, April 22, 2022

Ouroboros: Memoir of a Dreamwalker - by Chansonette Buck (CC#118)

Crisis Chronicles Press is thrilled to announce the publication of our fifth title of the year, Ouroboros by Chansonette Buck (with striking visual art by Jillian Mardin), on April 22nd 2022. Our release date also happens to be the author's birthday!

Ouroboros is c. 130 pages, perfect bound paperback, 11" x 8.5". Cover art also by Jillian Mardin. Available for $20 from Crisis Chronicles Press, 535 Parkside Boulevard, Cleveland, Ohio 44143 USA. 

ISBN: 978-1-64092-950-0. First edition, 125 copies.

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Praise for Ouroboros:

Chansonette Buck's Ouroboros: Memoir of a Dreamwalker takes us on a rich journey through the alchemy of dreams. Buck’s dreams are the kind we wish we remembered—full of significance, of meanings, of important messages. Dreams that reveal the deeper truths and greater understandings. Dreams that nourish our souls.

This is a journey of transfiguration—a word that came to me before I saw it in the book. Transfiguration: changing the forms of difficulty, challenge, and darkness into beauty, illumination, wholeness. Into nourishment for our souls. Like holding a kaleidoscope up to the light, and seeing the patterns form and reform, each more lovely than the last.

Buck is our guide, our priestess, our teacher of transfiguration—holding the lamp to illuminate our way. Singing us through her dreams into our own healing.

 

Ariana Newcomer, Author; Sound Healer; Spiritual Mentor


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In her newest collection of prose works, Ouroboros, author Chansonette Buck chronicles her life’s journey over a dreamscape that defies expectation and interpretation. What at first seem promising destinations end up as obstruction; while impassible crevices and peaks become pathways to forgiveness and grace, as a movable cast of characters provide aid, conflict and insight to our beleaguered walker. The opening section plays like an overture before descending this landscape into deep trauma, and also, ultimately back into the dreamscape of healing and recovery. Once on this path, the reader will find themselves unable to “leave the trail” until they have gone exactly where Ms. Buck wants them to go…into discovery, the divine, and rebirth. 
 
Paul Corman-Roberts, author Bone Moon Palace (Nomadic Press, 2021) 
 
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When I first met Chansonette Buck, she was a student of painting at the Museum School in Boston. She doesn’t use paints anymore, but draws the most exquisite word pictures, evocative of far more than could be represented in two dimensions. The partnership here with Jillian Mardin is brilliant, because these visual cues help one take the inner journey I think the poet intended.

There are very few writers whose work I find so rich. I can only read them in small doses. This book is one of those. The words, and word-pictures, have to be savored. As a person who works with both words and pictures, I found Ouroboros: Memoir of a Dreamwalker to be a rare treat. 
 
Martha Cotton, FinallyFilms.net

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Chansonette Buck’s Ouroboros: Memoir of a Dreamwalker depicts multiple dreamscapes through which, in poetic language, she shares her psychological journey. Her luminous descriptions (enhanced with gorgeous collages by Jillian Mardin) take readers on a multi-dimensional voyage of obstacles, shadows, and dangerous precipices, but affirms the wisdom of elders, animals, and priestesses. Although the profound losses of fathers and lovers punctuate the book, she returns always to intentional survival and healing. With Whitmanesque exuberance immersed in female magical powers, she bears witness to loving affiliation with everything from people to galactic beings to nematodes. The many portals—windows, doors, cave entries—enable access to deep interiorities: watery domains and tunnels in caves. Those, in turn, allow access between minds, epistemologies, species, even planets. Spheres and consciousnesses interpenetrate. A beautiful book in every way, Ouroboros is a testament to our vulnerabilities, our interconnectedness, and our ever-shifting possibilities of renewal. 
 
Hertha D. Sweet Wong, Professor of English and Associate Dean of Arts and Humanities at University of California, Berkeley

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Chansonette Buck shares her dream world in Ouroboros: Memoir of a Dreamwalker, an expansive landscape that blends the natural world, both familiar and ordinary, with a fantastic territory of the imagination. All told with vivid and descriptive detail. She faces challenges, danger, and her own fear. Animal and human companions inhabit imaginary worlds, ancient and futuristic, realistic and visionary, threatening and comforting. Surely, Chansonette has a method for remembering her dreams. The “dreamwalker” of the title indicates these intense dreams are with her in her waking life, both a link to and a dialogue with her interior self. We all have similar episodic dreams, but this long literary stream of remembered dreams creates a personal world that treads somewhere between everyday reality and the nighttime recesses of the psyche. The writing is richly illustrated with collage images by Jillian Mardin, which reflect this magical adventure of both individual struggle and personal power. 
 
Harvey Smith, Historian; President, National New Deal Preservation Association; Author, Berkeley and the New Deal

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Reading Chansonette Buck’s latest offering, Ouroboros: Memoir of a Dreamwalker (with Jillian Mardin’s multidimensional artwork accompanying) enabled me to enter a dreamscape occupied by myriad characters, archetypes, shapes, textures, layers, and meanings: light, dark, and in-between. The Carl Jung quote sets the tone from the start, inviting and warning the reader to advance with caution: this will be a journey of initiation and initiates.

It took me many months to travel through this book as part of the unfoldment of circumstances in my life at the time that involved deep incubation, excavation, birth, death, and rebirth many times over. Sometimes it provided a parallel narrative. At other times, it was analogous to entering another world that allowed me to open another way to see.

Always it speaks to defeat, loss, despair, acceptance, redemption, wisdom, and the will to create, and to be.

Such messages are rife throughout, with sentences standing on their own as ends in themselves, or as worlds to get lost in. Senses go on alert as danger makes itself known and must be faced. And yet, despite the danger (or because of it), one travels with kindred spirits all the way as we traverse the dreamtime landscape, pausing to drink in the images. Always we are held and guided, and although we must also collapse, mourn, and endure, it is clear we are always moving towards becoming, letting go, and becoming again. Letting go into life, letting go into death. Light and dark, and the cycles ever-continuing.

Thank you, beloved Chansonette, for sharing yourself so generously with us all. Your work is so necessary. 
 
Fatima Bacot, Author; Trainer; Personal Development Mentor; Speaker
 
 
Chansonette Buck
holds the PhD in English from UC Berkeley. She earned an BFA in Painting from Massachusetts College of Art in Boston, where she won both of two juried prizes for her works on paper at a New England Regional show. Winner of the first Judith Stronach Prize in Poetry at Berkeley and a two-time Pushcart nominee, Dr. Buck has authored four chapbooks of poetry as well as a memoir of her time growing up “on the road” with “the great minds of [that] generation” as stepchild of Black Mountain School poet Edward Dorn. She is an ordained minister and certified spiritual healer and is adept in many energy healing modalities. As Principal Prose Wrangler in her consultancy Appaloosa WordCraft, she helps public policy think tanks and nonfiction authors with research, writing, and editing. A California Bay Area expat, she now lives in Southern Oregon’s magnificent Rogue Valley with her family. This is her first full-length collection. Another will be following from Hand to Mouth Press soon.

 

Wednesday, March 30, 2022

47 Poems - by Victor Clevenger (CC#117)

Crisis Chronicles Press is very happy to announce the publication of Victor Clevenger's latest book, 47 Poems, on April 7th 2022. We are offering this volume in two formats: perfect bound paperback and (while supplies last) a limited edition (47 copies) signed and numbered case bound hardcover. This excellent collection takes inspiration from Richard Brautigan's seminal novel Trout Fishing in America and features a foreword by John Dorsey.

47 Poems is 50 pages, 6x6". Front cover collage by Victor Clevenger. Available from Crisis Chronicles Press, 535 Parkside Boulevard, Cleveland, Ohio 44143 USA. 200 total copies in print. UPDATE: The limited edition hardcover is now sold out, but you can still order the paperback.

Choose Format / Location

A special book release event occurred on April 7th 2022, 6 pm Eastern, at the B Side Lounge in Cleveland Heights. This event featured readings by Victor Clevenger, John Dorsey, Nicole Hennessy, Russell Vidrick and John Burroughs.


Victor Clevenger spends his days in a Madhouse and his nights writing. Selected pieces of his work have appeared in print magazines and journals around the world; they have also been nominated for the Best of the Net and the Pushcart Prize. He is the author of several collections of poetry including Sandpaper Lovin’ (Crisis Chronicles Press, 2017), A Finger in the Hornets’ Nest (Red Flag Poetry, 2018), Corned Beef Hash by Candlelight (Luchador Press, 2019), A Wildflower in Blood (Roaring Junior Press, 2020), and Scratching to Get By (Between Shadows Press, 2021). He and American poet John Dorsey run River Dog. You can reach him at crownofcrows@yahoo.com.

 

 

Thursday, March 3, 2022

Arroyo Chamisa: Poems Rescued from a Blog - by Alex Gildzen (CC#116)


Crisis Chronicles Press
is thrilled to announce the publication of Alex Gildzen's latest collection, Arroyo Chamisa: poems rescued from a blog, on March 4th 2022.

Arroyo Chamisa is 76 pages, perfect bound, 6x6". ISBN: 978-1-64092-954-8. Front cover photo by the author. Available now for only $10 from Crisis Chronicles Press, 535 Parkside Boulevard, Cleveland, Ohio 44143 USA.
 
Select U.S. or International

Or subscribe to our entire 2022 series (at least ten titles, plus a surprise or two) for $100 with free shipping.

"Alex Gildzen was one of the first poets' blogs i found & read with great appreciation & gusto.  here was a poet with a gift for vernacular, a wit to match his cinematic range, & an obsession with movies that played upon my own heart.  i've long been a great admirer of Alex ever since those giddy early days of blogging when social media held the promise of uniting poets & creating a community of writers who, in their own unique ways, were dedicated to making & living a life in poetry.  Alex Gildzen is a poet with a life well-lived in poetry & at the movies.  his poems frequent the daily ordinary hard tasks of being a human being in our digital age, along with the practical importance of friendships, art making, family, technology, & the greats of Hollywood past & present.   Alex Gildzen is one of my very favorite poets & human beings.  as he says in a poem, 'go to the movies / you're alive.'"
     —Richard Lopez, co-editor of the anthology The End of the World Project

"Alex Gildzen is a master of his craft, unearthing beauty from the ordinary and celebrity from the common. Nowhere is this more evident than in Arroyo Chamisa: poems rescued from a blog. From the dark atomic whimsy of “swim thru the sea of night little swimmer” to the pure joy of living well in “I call the 3 palms / beside the pool / the Andrews Sisters,” Gildzen’s poetry grooves with the universal and vibrates with the intensely personal. This is an expedition you won’t want to miss."
     —Dianne Borsenik, author of Raga for What Comes Next and Publisher/Editor, NightBallet Press


Alex Gildzen saw his first poem in print 60 years ago. The first of many chapbooks followed in 1969. His poems have been published in Canada, England, France, Germany, Greece and Australia. He has given readings at Bowery Poetry Club, Palm Springs Art Museum, Bisbee Poetry Festival, Captain Brady in Kent, Fort Mason in San Francisco, Center for Contemporary Arts in Santa Fe, Antebellum Gallery in Hollywood and a plethora of bars. Currently Gildzen lives in Palm Springs where he has been called the city’s “unofficial poet laureate.” A piece of his is featured on the Poet’s Bench in the uptown design district.

His previous Crisis Chronicles Press titles include Ohio Triangle and Alex in Movieland (1943-1973).

Tuesday, January 18, 2022

Before the Next Ice Age - by Lisa J. Cihlar (CC#115)


Crisis Chronicles Press is thrilled to announce our second new publication of 2022, Before the Next Ice Age by Lisa J. Cihlar. We've been huge fans of Lisa's work for well over a decade and are happy as can be to have had the opportunity to work with her again. 

Before the Next Ice Age features more than twenty prose poems on 34 pages, perfect bound, 5.5 x 8.5". The front cover painting is also by Lisa J. Cihlar. Published 22 January 2022. ISBN: 978-1-64092-953-1. First edition of 150 copies.
 
U.S. or International?
 
Before the Next Ice Age is available for only $10 from Crisis Chronicles Press, 535 Parkside Boulevard, Cleveland, Ohio 44143 (plus $3 for shipping in the United States). 
 
Or subscribe to our entire 2022 series (at least ten titles, plus a surprise or two) for $100 with free shipping.

Earlier praise for Cihlar's work:

"When I first encountered Lisa Cihlar's poetry, I sensed an electricity in the air, a subterranean movement that insinuated itself up from the ground into my bones. And then I felt flooded, suddenly, with the wonder only great art inspires. Cihlar's poetry is full of muscle and sinew, power and verve, a voice so undeniable that it wraps itself around your synaptic connections and becomes indelible, essential. This is poetry of the highest order, of the most terrific, breath-stripping power."
Terri Brown-Davidson, Author, Pulitzer Prize Nominee, The Carrington Monologues
 

Lisa
J. Cihlar's poems have appeared in Blackbird, Gargoyle Magazine, South Dakota Review, Crab Creek Review, and Mid-American Review. She has been nominated for two Pushcart Prizes and a Best of the Net award. Her three previous chapbooks are The Insomniac’s House from Dancing Girl Press, This Is How She Fails from Crisis Chronicles Press, and When I Pick Up My Wings from the Dry Cleaner (winner of the 2013 Blue Light Poetry Prize) from Blue Light Press. Cihlar lives in rural southern Wisconsin.
 

Saturday, January 1, 2022

Contempt of Gravity: The Complete Published Poems, 1981–2020 - by William Merricle (CC#114)

Crisis Chronicles Press is pleased and privileged to celebrate the new year with the publication of Contempt of Gravity: The Complete Published Poems, 1981–2020 by Ohio treasure William Merricle. William is one of the sharpest, smartest, funniest writers we've ever had the pleasure of working with. And this book is everything including (to steal a phrase from one of his poems) "a massive sensory experience"!

Contempt of Gravity is 425 pages, perfect bound, 5.5 x 8.5". ISBN: 978-1-64092-952-4. Front cover photo by Steven B. Smith of a mural by Donald Black, Jr. Published 1 January 2022. 125 copies in print.
 
U.S. or Elsewhere?

Contempt of Gravity
is available for only $20 from Crisis Chronicles Press, 535 Parkside Boulevard, Cleveland, Ohio 44143 (plus $4 for shipping in the USA).
 
Or subscribe to our entire 2022 series (at least ten titles, plus a surprise or two) for $100 with free shipping. 
 
Contempt of Gravity: The Complete Published Poems, 1981–2020 includes several volumes of Merricle's work in one:
 
Living On Wormholes & Beer (previously uncollected poems from 1981-1990)
Love & Food By-Products (originally published by Iron Press in 1991)
Why Should I Suffer Alone? (originally published by Green Meadow Press in 1993)
Slubberdegullion Sonata (originally published by Big Easy Press in 1995)
Eye Sickles (originally published by Timelapse Press in 1997)
The Constellation Called Forget (previously uncollected poems from 1991-2000)
A Delicious Friction (previously uncollected poems from 2001-2010)
Heimlich the Donut (originally published by Pudding House Publications in 2010)
Grace, You Let the Screen Door Slam (originally published by Crisis Chronicles in 2011)
Chaos Theory (originally published by NightBallet Press in 2013)
Fractured Fairy Tales (originally published by Crisis Chronicles in 2016)
The Tongue Depressor Incident (previously uncollected poems from 2011-2020)

William Merricle was once the assistant manager of a ramshackle soft-porn movie palace. He would open the observation window and glide paper airplanes inscribed with quotes from Heidegger over the engrossed congregants below.
 
1981 copier-art portrait by Grace O’God. 
 
2020 portrait in radiation treatment mask by Jerri Merricle.


Monday, October 4, 2021

Afterlife Karaoke - by John Dorsey (CC#113)

Crisis Chronicles Press is very happy to announce the publication of John Dorsey's new poetry chapbook, Afterlife Karaoke. Dorsey is widely esteemed as one of the best poets in America and his work is unique and essential. He has dedicated this book to the late, great Jack Hirschman.
 
Afterlife Karaoke is 32 pages, perfect bound, 6" x 6". Contents include "A Dry County," "Easy on the Eyes," "A Chicken Strip in the Shape of a Seahorse," "Walt Disney and Richard Branson Will Meet Again at Freedom Mausoleum," "For Scott Wannberg, Gone 10 Years" and so much more. ISBN: 978-1-64092-951-7. Front cover art by Steven B. Smith. 150 copies in print.
 
Afterlife Karaoke is available for only $10 (includes postage) from Crisis Chronicles Press, 535 Parkside Boulevard, Cleveland, Ohio 44143 USA. 
 
Join us for the Afterlife Karaoke release party on October 16th 2021, 4 p.m. at The Attic, 1791 Adams Street in Toledo, Ohio, where John Dorsey will also be joined in reading by esteemed poets from around the country.
U.S. or Elsewhere
 
John Dorsey lived for several years in Toledo, Ohio. He is the author of several collections of poetry, including Teaching the Dead to Sing: The Outlaw's Prayer (Rose of Sharon Press, 2006), Sodomy is a City in New Jersey (American Mettle Books, 2010), Tombstone Factory (Epic Rites Press, 2013), Appalachian Frankenstein (GTK Press, 2015), Being the Fire (Tangerine Press, 2016), Shoot the Messenger (Red Flag Poetry, 2017), Your Daughter's Country (Blue Horse Press, 2019), and Which Way to the River: Selected Poems 2016-2020 (OAC Books, 2020). His work has been nominated for the Pushcart Prize, Best of the Net, and the Stanley Hanks Memorial Poetry Prize. He was the winner of the 2019 Terri Award given out at the Poetry Rendezvous. He may be reached at archerevans@yahoo.com.
 
[Author photo by Dianne Borsenik.]

Friday, August 20, 2021

Matilda's Battle Waltz by Tracie Morell now available as a free e-book

In 2015, Crisis Chronicles Press had the honor of publishing poet Tracie Morell's Matilda's Battle Waltz (CC#70) in paperback. For some time recently, it has been sold out and unavailable. But now, at the author's request, we are happy to re-release this marvelous series of poems (with illustrations by Kris Risto) as a free e-book. Read Matilda's Battle Waltz on Issuu or email jc@crisischronicles.com for a pdf copy.

“Tracie Morell’s work exhibits a lyrical acuity which illuminates and devastates. She leads us on a harrowing and electrifying journey through the life of Matilda, a being who dances on the brink of existence between what is marginalized and what has risen above to live in rarified air. Morell has no fear; our eyes blaze and dilate with Matilda, as we bear witness to our collective ruin. Morell’s poems celebrate the connections between the interior and exterior world and in doing so, take us closer to both.”
     —Kelly Boyker, Poetry Editor at Menacing Hedge

Thursday, July 29, 2021

New Address


We've moved! Please address all future correspondence to:

Crisis Chronicles Press
535 Parkside Boulevard
Cleveland, Ohio 44143 USA

Many thanks,
John B. Burroughs, Publisher

Monday, November 30, 2020

Our 2020 Pushcart Prize Nominations

This year, we nominated:

1968 through 1971, a selection from Alex Gildzen's Alex in Movieland (1943-1973), which we published in February.

"PTSD Hushabye" by Carolyn Srygley-Moore, a poem from her Ode to Horatio and Other Saviors, which we published in October.

Congratulations and good luck!


Buy both together for $24 US and we'll ship them free: paypal.me/crisischronicles

Thursday, October 29, 2020

Ode to Horatio and Other Saviors - by Carolyn Srygley-Moore (CC#112)


Crisis Chronicles Press
is pleased to present our long-awaited latest title, Ode to Horatio and Other Saviors, a compelling collection of poetry by Carolyn Srygley-Moore

U.S. or Elsewhere?
 
Ode to Horatio and Other Saviors is 92 pages, perfect bound, 6x6" and illustrated. ISBN: 978-1-64092-948-7. Front and back cover photos provided by the author. Available now for only $12 from Crisis Chronicles Press, 535 Parkside Boulevard, Cleveland, Ohio 44143 USA. A percentage of all proceeds from the sale of this book will go to support Rescue Dogs Rescue Soldiers, an organization that pairs shelter dogs with veterans and provides pet therapy programs.


"Carolyn Srygley-Moore’s poetry always enhances its relevance through specificity of coordinates in time and place. The poet has been a consistent fighter for animal rights and animal rescue services, tying them to imagery of human atrocities. In this collection, we go back to a specific era in 2012, and a specific friend named Evy, discovering the poems that illuminated the euthanasia of that dear friend. Her afterword essay is sure to bring tears. But that is Carolyn Srygley-Moore’s power."
—Loring Wirbel, writer and social justice activist

"A book of poems that takes you through meeting and instantly connecting with a beautiful pup, a snow white pit bull named Evy, coming to the awareness that this loving dog has issues that will be to its own demise, through no one’s fault. A book of poems on learning what it’s like to have that love and deep connection, yet coming to awareness and understanding that the ultimate choice had to be made — and the realization of actually having no choice, in reality, of having to surrender your animal to euthanasia. Walking down the road of having to come to terms with the fact that this loving dog could be/was a danger, especially towards children. Sweet Evy could be triggered at any moment in time, without warning, without any rhyme or reason, to become aggressive and dangerous and do severe harm to another body. This book is a roller coaster ride of emotions and mental anguish of having to euthanize this beautiful animal who you love so dearly."
—Judy Lynn Lustgarten Goldstein, activist

"Carolyn Srygley-Moore is a poet of enormous sensibility who combines confessional elements with a capacity to do what Heidegger said poets were for, which is to reveal the Being behind beings. Description of a whole array of things, however “poetic”, does not a poem make. Following a set of rules, merely emulating the constituents of a “canon of taste” will, almost infallibly, make “poets” crashing bores.

"We write, Heidegger reminds us, in “a destitute time” & “in default of God”. As an atheist, I am OK with this. Carolyn, however, does not like that “no god any longer gathers men & things unto himself.” Nothing shines any longer, it is night. The task of the poet is to find the wholesome. & the holy that relates to it, in the unholy that s/he depicts. This book deals with the subject of “euthanasia” of animals, in particular the “euthanasia” of one of the writer's dogs for alleged aggression. “Euthanasia” is far too frequently resorted to as part of the morally dubious treatment of pets in the USA, & it is remarkable that Carolyn deals with the subject with great restraint.

"Wherever Carolyn writes of that which is bad, the fact of her shows us what Hölderlin points out, that wherever there is danger there is also the seed of that which can save us. Because Carolyn is a great poet, the solution is not just hers, it is for Everyman. Although humans, or liars, as they are also known, work to destroy innocence, the poet in his or her poem points to where the future divinity will be found, or the future focus of being. It will not be in people, or anything anthropomorphic.
—David McLean, author of Flesh & Resurrection.


Carolyn Srygley-Moore
(C Leigh Moore) is a writer who has encountered a variety of issues in her career. She has been published in Red Fez, I Am Not a Silent Poet, and other venues. Ode to Horatio parallels the plight of humanity with the plight of dogs randomly placed on death row. Carolyn's falling in love with the pit bull was ostensibly the beginning of years advocating for victims of breed specific legislation, including all breeds deemed dangerous by landlords and insurance pitfalls. She found the greatest meaning in her endeavors as transporter from shelter to adopter to foster etc. from winter 2019 to 20. Carolyn has had two emergency craniotomies leaving her with the current inability to drive. As well as caring for her own rescued pets, this elegy is the writer’s current contribution to the cause. Carolyn is a graduate of Johns Hopkins University in Baltimore, where she recalls the night she fell passionately in love with language. Forty years later, that passion has lasted.